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home·artworks·Peter of Verona exorcising a demon personified by a Madonna and Child
Peter of Verona exorcising a demon personified by a Madonna and Child by Giorgio Vasari

plate no. 2881

Peter of Verona exorcising a demon personified by a Madonna and Child

Giorgio Vasari, 1570

oilMannerism (Late Renaissance)history paintingfiguresangelsarchitecturereligious scenedemoninterior
some experience helpful

Recreating this painting will help students practice figure drawing, drapery, and creating depth through value changes. It also provides experience with depicting complex scenes with multiple figures.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the main figures and architectural elements.

  2. step 02

    Establish the darkest values first, defining the shadows and contours of the figures and architecture.

  3. step 03

    Apply the mid-tones, blending them into the darks to create a sense of form and volume.

  4. step 04

    Add the lightest values to highlight the figures and create focal points.

  5. step 05

    Refine the details of the faces, hands, and drapery.

  6. step 06

    Add subtle variations in color to create depth and interest.

  7. step 07

    Review the overall composition and make any necessary adjustments to the values and details.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · Prussian blue · Payne's gray

secondary · Raw umber · Titanium white

Mix Prussian blue and Payne's gray for the base color. Add Raw umber to darken shadows and Titanium white to lighten highlights. Use thin washes of color to build up the values gradually.

techniques

  • ·Underpainting
  • ·Value studies
  • ·Dry brushing
  • ·Scumbling
  • ·Chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the monochromatic effect.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Prussian blue oil paint
  • ·Payne's gray oil paint
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Round brushes (various sizes)
  • ·Palette
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Medium gloss

Use a canvas with a smooth surface to facilitate blending. Consider using a toned canvas to speed up the underpainting process.

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