apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Peter Nicolai Arbo
Peter Nicolai Arbo by Peter Nicolai Arbo

plate no. 1030

Peter Nicolai Arbo

Peter Nicolai Arbo, 1874

oilRomanticismself-portraitportraitfiguremanhatclothingbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It will also provide practice in creating subtle color variations and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hat.

  2. step 02

    Establish the background with a thin wash of blue and gray tones, allowing for subtle variations.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing, paying attention to the overall value structure.

  4. step 04

    Refine the facial features, focusing on accurate placement and subtle shading to create form.

  5. step 05

    Add details to the beard and hair, using small brushstrokes to create texture and dimension.

  6. step 06

    Develop the clothing with darker values and subtle highlights, paying attention to the folds and drapery.

  7. step 07

    Add the hat, focusing on the texture and form.

  8. step 08

    Make final adjustments to the overall composition, refining details and ensuring a cohesive look.

color palette

primary · ivory black · ultramarine blue · burnt umber · raw sienna

secondary · titanium white · yellow ochre · cadmium red light

Mix skin tones using white, yellow ochre, cadmium red light, and a touch of burnt umber. Achieve the dark clothing and hat by mixing ivory black with burnt umber and a touch of ultramarine blue.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the dark areas too flat and lacking in dimension.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke