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home·artworks·Pescarenico in winter
Pescarenico in winter by Gerolamo Induno

plate no. 4345

Pescarenico in winter

Gerolamo Induno, 1863

oil, canvasRomanticismlandscapebuildingswaterboatsfiguresskysnow
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in a winter landscape. It also provides practice in painting reflections and rendering architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, the placement of the buildings, and the boats.

  2. step 02

    Block in the sky with a thin wash of light blue and pink, blending the colors softly.

  3. step 03

    Establish the basic shapes of the buildings with a mid-tone gray-brown, paying attention to their relative sizes and positions.

  4. step 04

    Add the darker values to the buildings to define their forms and create shadows, using a mix of burnt umber and black.

  5. step 05

    Paint the water with horizontal strokes of gray, blue, and brown, reflecting the colors of the sky and buildings.

  6. step 06

    Add the boats and figures, using small brushstrokes and paying attention to their proportions.

  7. step 07

    Apply highlights to the snow-covered roofs and other surfaces, using a mix of white and a touch of yellow or pink.

  8. step 08

    Refine the details of the buildings, boats, and figures, adding small touches of color and texture to create visual interest.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · cadmium red light · ivory black

Achieve the subtle grays and browns by mixing white, umber, and a touch of blue. Use red and yellow to create the warm tones in the buildings and sky.

techniques

  • ·atmospheric perspective
  • ·wet-on-dry blending
  • ·broken color
  • ·scumbling
  • ·rendering reflections

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast, losing the subtle atmospheric effect.
  • →Making the colors too saturated, resulting in an unnatural look.
  • →Ignoring the importance of accurate proportions in the buildings and boats.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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