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Perdita by Frederick Sandys

plate no. 4753

Perdita

Frederick Sandys, 1866

oilRomanticismportraitportraitfigureflowershairfoliagedress
experienced study

Recreating this painting will develop skills in portraiture, particularly in rendering skin tones and hair, and in creating a sense of depth through subtle value changes. Students will also learn to depict complex floral arrangements and drapery.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and the placement of the floral elements.

  2. step 02

    Establish the overall color scheme by blocking in the main areas of color, such as the skin, hair, and background.

  3. step 03

    Begin layering the skin tones, paying close attention to the subtle shifts in value and hue.

  4. step 04

    Develop the hair, using thin layers of paint to create the texture and volume.

  5. step 05

    Add details to the floral elements, focusing on the shapes and colors of the individual flowers and leaves.

  6. step 06

    Refine the drapery, using soft blending techniques to create a sense of movement and flow.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze to unify the colors and create a luminous effect.

color palette

primary · titanium white · cadmium red · yellow ochre · ivory black

secondary · ultramarine blue · viridian green · alizarin crimson

Achieve skin tones by mixing white, red, and yellow ochre, with small amounts of blue or green to create shadows. Mix greens for the foliage using blue, yellow, and black.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to capture the subtle shifts in value that create a sense of depth.
  • →Getting lost in the details of the floral elements and losing sight of the overall composition.
  • →Using colors that are too saturated, resulting in a garish or unnatural appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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