apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Peasant Girls – Sorrento
Peasant Girls – Sorrento by Penry Williams

plate no. 4596

Peasant Girls – Sorrento

Penry Williams

oil, canvasRomanticismgenre paintingfigureslandscapearchitectureclothingfoliagetambourine
some experience helpful

This painting offers a good opportunity to practice figure painting with soft lighting and muted colors. Students can learn to create depth and form with subtle value changes and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Block in the background with thin washes of color, establishing the sky, sea, and distant land.

  3. step 03

    Establish the base tones for the figures' skin and clothing, focusing on the overall color harmony.

  4. step 04

    Begin to build up the forms of the figures with layers of paint, adding highlights and shadows to create depth.

  5. step 05

    Paint the architectural details, such as the column, using a combination of thin washes and thicker strokes.

  6. step 06

    Add the foliage details, such as the wreaths, using small, delicate brushstrokes.

  7. step 07

    Refine the details of the faces and clothing, paying attention to the subtle variations in color and value.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · ultramarine blue · burnt sienna · alizarin crimson

Achieve the muted tones by mixing small amounts of complementary colors (e.g., blue and orange) into your primary colors. Use white to lighten values and create subtle gradations.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·soft blending

common pitfalls

  • →Overworking the details and losing the overall softness of the painting.
  • →Using colors that are too saturated and not in harmony with the muted palette.
  • →Neglecting the importance of value contrast in creating depth and form.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (yellow ochre, raw umber, titanium white, ultramarine blue, burnt sienna, alizarin crimson)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke