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home·artworks·Peasant Girl (after Rembrandt's 'Young Girl Leaning on a Wiindowsill')
Peasant Girl (after Rembrandt's 'Young Girl Leaning on a Wiindowsill') by Thomas Sully

plate no. 8136

Peasant Girl (after Rembrandt's 'Young Girl Leaning on a Wiindowsill')

Thomas Sully, 1866

oilRomanticismportraitfigureportraitgirlwindowclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in creating soft, diffused lighting and blending techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, window, and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, focusing on the skin tones, hair, and clothing.

  4. step 04

    Begin refining the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Refine the clothing and window sill, adding highlights and shadows to create depth.

  7. step 07

    Blend the edges of the forms to create a soft, diffused effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use small amounts of blue and umber to create shadows and cool tones. Mix white with a touch of umber and yellow ochre for the clothing.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·soft edges

common pitfalls

  • →Overworking the details too early.
  • →Using too much paint and losing the soft, diffused effect.
  • →Failing to capture the likeness of the figure.
  • →Creating harsh edges instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits
  • ·mahogany palette

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

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oil painting for beginners →how to learn by studying the masters →
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