apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Paysage (non situé)
Paysage (non situé) by Fernand Combes

plate no. 4849

Paysage (non situé)

Fernand Combes

watercolorImpressionismlandscapebuildingslandscapetreeswaterfoliagesky
some experience helpful

Recreating this painting will help students develop skills in layering watercolor washes and creating texture with dry brush techniques. It also provides practice in depicting reflections in water and simplifying complex forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, trees, and the water's edge.

  2. step 02

    Apply a light wash of diluted blue and violet for the sky.

  3. step 03

    Paint the distant hills with a light yellow-green wash.

  4. step 04

    Begin layering washes for the buildings, starting with light yellows and adding browns and grays for shadows.

  5. step 05

    Paint the foliage with varying shades of green and yellow, using a dry brush technique to create texture.

  6. step 06

    Add the reflections in the water using similar colors to the objects above, but slightly muted and blurred.

  7. step 07

    Add details like windows, roof lines, and individual leaves with a fine brush.

  8. step 08

    Adjust values and add final touches to create depth and atmosphere.

color palette

primary · yellow ochre · sap green · burnt umber · ultramarine blue

secondary · raw sienna · violet · white

Mix greens by combining yellow ochre and ultramarine blue. Create browns by mixing burnt umber with yellow ochre. Use white sparingly to lighten colors.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·color mixing
  • ·creating reflections

common pitfalls

  • →Overworking the painting and losing the freshness of the watercolor.
  • →Making the colors too saturated.
  • →Not allowing washes to dry completely before adding subsequent layers.
  • →Ignoring the importance of light and shadow.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·masking tape
  • ·pencil

optional

  • ·palette knife
  • ·kneaded eraser
  • ·ruler

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes and techniques to achieve various textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann