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home·artworks·Pauline Runge, the Artist's Wife
Pauline Runge, the Artist's Wife by Philipp Otto Runge

plate no. 8913

Pauline Runge, the Artist's Wife

Philipp Otto Runge

oilRomanticismportraitportraitfigurewomanshawlhairclothing
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric folds and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the head tilt and shoulder placement.

  2. step 02

    Establish the background with a thin, dark wash, gradually building up depth and variations in tone.

  3. step 03

    Block in the main areas of color for the skin, hair, shawl, and dress, focusing on the overall values.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the face to create form.

  5. step 05

    Develop the folds and highlights in the shawl, using lighter tones to create a sense of volume and texture.

  6. step 06

    Add details to the hair, using small brushstrokes to define the curls and create a sense of depth.

  7. step 07

    Refine the details of the dress and background, adding subtle variations in color and tone.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth of the painting.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · viridian · alizarin crimson

Mix skin tones by blending white, yellow ochre, and a touch of red. Use raw umber and white for the background, and mix greens for the dress by combining yellow ochre and viridian.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle variations in color and tone in the shawl.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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