apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Passing on the Palette
Passing on the Palette by Jacek Malczewski

plate no. 0324

Passing on the Palette

Jacek Malczewski

oilArt Nouveau (Modern)self-portraitportraitfigureartisttreesdoorwayclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding atmospheric perspective and creating depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the doorway.

  2. step 02

    Establish the background with light washes of color, paying attention to the light and shadow on the wall and doorway.

  3. step 03

    Block in the main shapes of the figures, focusing on the overall value structure.

  4. step 04

    Begin refining the details of the face, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the clothing and other details, using a variety of brushstrokes to create texture and interest.

  6. step 06

    Paint the foliage visible through the doorway, using a loose and impressionistic style.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze to unify the painting and adjust values.

color palette

primary · raw umber · yellow ochre · titanium white · cadmium red

secondary · viridian · ultramarine blue · ivory black

Achieve skin tones by mixing titanium white, cadmium red, and yellow ochre, with small amounts of raw umber for shadows. Mix greens by combining viridian with yellow ochre and titanium white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Using colors that are too saturated and unnatural.
  • →Failing to create a sense of depth and space.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois