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home·artworks·Passing by on the Other Side
Passing by on the Other Side by Alexandre-Gabriel Decamps

plate no. 6461

Passing by on the Other Side

Alexandre-Gabriel Decamps, 1839

oil, canvasRomanticismlandscapemountainsskyfigureslandscapecloudspath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through value changes. It also provides practice in loose, expressive brushwork to suggest texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and the path, focusing on the overall composition.

  2. step 02

    Establish the darkest values in the mountains and the sky using a dark brown or black.

  3. step 03

    Block in the lighter areas of the sky and the path with a mix of yellow ochre and white.

  4. step 04

    Begin blending the dark and light areas to create a sense of atmosphere and depth.

  5. step 05

    Add details to the mountains, such as highlights and shadows, using a smaller brush.

  6. step 06

    Paint the figures on the path, paying attention to their relative size and placement.

  7. step 07

    Add final touches to the sky, such as clouds and highlights, using a soft brush.

  8. step 08

    Glaze with thin layers of color to unify the painting and add depth.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · raw sienna

Mix burnt umber and ultramarine blue for the dark mountain shadows. Use yellow ochre and white for the highlights on the path and in the sky. Add small amounts of raw sienna to warm up the browns.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the values too uniform, which will flatten the image.
  • →Using too much paint, which will make the painting look muddy.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a canvas with a medium texture to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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