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home·artworks·Pasie sewing in Bougival's Garden
Pasie sewing in Bougival's Garden by Berthe Morisot

plate no. 5549

Pasie sewing in Bougival's Garden

Berthe Morisot, 1881

oil, canvasImpressionismgenre paintingfiguregardenrosesbenchsewinglandscape
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and capturing light and shadow with subtle color variations. It also provides practice in depicting figures in a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, bench, and background elements.

  2. step 02

    Establish the main color blocks for the background foliage, using loose, broken brushstrokes.

  3. step 03

    Block in the figure's form with light washes of color, paying attention to the overall proportions.

  4. step 04

    Develop the details of the figure's clothing and facial features, using subtle color variations to suggest form and light.

  5. step 05

    Add the roses and other floral details, using small, quick brushstrokes to create a sense of texture and depth.

  6. step 06

    Refine the shadows and highlights throughout the painting, using thin glazes of color to create a sense of atmosphere.

  7. step 07

    Add final details such as the sewing and the bowl on the bench.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · titanium white · viridian green · ultramarine blue · alizarin crimson

secondary · yellow ochre · raw umber · cadmium yellow light

Achieve the muted greens by mixing viridian green with yellow ochre and titanium white. Create the purples for the dress by mixing alizarin crimson and ultramarine blue, lightened with white.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated and bright.
  • →Failing to capture the subtle variations in light and shadow.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, viridian green, ultramarine blue, alizarin crimson, yellow ochre, raw umber)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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