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home·artworks·Part of Tabán
Part of Tabán by Laszlo Mednyanszky

plate no. 5633

Part of Tabán

Laszlo Mednyanszky, 1900

oilImpressionismlandscapelandscapebuildingstreesskypathfigure
some experience helpful

This painting is great for practicing loose, expressive brushwork and learning how to simplify complex scenes into basic shapes and colors. Students will also develop skills in creating atmospheric perspective through color and value changes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and path, paying attention to the overall composition.

  2. step 02

    Block in the sky with a thin wash of blue, adding hints of white for clouds.

  3. step 03

    Establish the dark values of the trees and shadows using a mix of browns and greens.

  4. step 04

    Paint the buildings with a base of white, then add variations of brown and ochre for the roofs and walls.

  5. step 05

    Develop the path and foreground with layers of brown, ochre, and green, using broken brushstrokes to create texture.

  6. step 06

    Add details such as the figure and the white flowering bush, keeping them loose and impressionistic.

  7. step 07

    Refine the sky and add highlights to the buildings and foliage.

  8. step 08

    Add final touches and adjust values as needed to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · sap green · cadmium yellow

Mix blues and whites for the sky, adding small amounts of yellow ochre for warmth. Use burnt umber and yellow ochre as a base for the earth tones, adding white to lighten and blue/green to darken. Mix sap green with yellow ochre for natural greens.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details
  • →Making the colors too saturated
  • →Losing the overall sense of light and atmosphere
  • →Creating too much contrast

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints: ultramarine blue, burnt umber, titanium white, yellow ochre, sap green
  • ·Round brushes (#2, #6)
  • ·Flat brush (#8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·medium gloss
  • ·easel

Use a limited palette to create harmonious colors. Consider using a toned canvas to start.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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