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home·artworks·Paris, The Seine, the Barges of the Louvre
Paris, The Seine, the Barges of the Louvre by Gino Severini

plate no. 5091

Paris, The Seine, the Barges of the Louvre

Gino Severini, 1908

oilImpressionismcityscapeboatstreesriverbridgeskybuildings
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance. It also provides practice in capturing the essence of a scene with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boats, bridge, and trees.

  2. step 02

    Block in the sky with a light yellow and pink wash, blending the colors softly.

  3. step 03

    Establish the distant trees and buildings with muted greens and blues, using a small brush.

  4. step 04

    Paint the bridge with a mix of gray and ochre, suggesting its form with simple shapes.

  5. step 05

    Add the boats, using dark browns and blacks for the hulls, and lighter colors for the details.

  6. step 06

    Develop the foreground with textured brushstrokes, using a variety of greens, browns, and reds.

  7. step 07

    Add details such as the masts, ropes, and reflections in the water.

  8. step 08

    Refine the overall composition, adjusting colors and values as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix muted greens by combining ultramarine blue, yellow ochre, and a touch of burnt umber. Achieve the sky colors by blending yellow ochre, titanium white, and a hint of cadmium red.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors that are too bright and saturated, which can flatten the image.
  • →Neglecting the importance of atmospheric perspective, making the distant objects appear too sharp.
  • →Failing to establish a clear value structure, resulting in a muddy or unclear composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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