apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Paris. Saint Denis Arc
Paris. Saint Denis Arc by Konstantín Korovin

plate no. 9648

Paris. Saint Denis Arc

Konstantín Korovin, 1930

oil, canvasImpressionismcityscapecityscapestreetbuildingscarsfiguresnight
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using broken color to depict light and reflections. It's also a good exercise in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the arch, buildings, and street layout.

  2. step 02

    Establish the overall color scheme with a thin wash of green for the sky and darker tones for the buildings.

  3. step 03

    Block in the major value areas, focusing on the darks of the buildings and the lighter areas of the reflections on the street.

  4. step 04

    Begin adding details to the buildings and arch, using short, broken brushstrokes to suggest texture and light.

  5. step 05

    Paint the street reflections, using horizontal strokes and varying the colors to mimic the wet surface.

  6. step 06

    Add the figures and cars, keeping them simple and suggestive.

  7. step 07

    Introduce the highlights of the street lamps and building lights.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · viridian green · burnt umber · cadmium red · titanium white

secondary · yellow ochre · ultramarine blue

Mix greens by combining viridian green with yellow ochre or ultramarine blue. Create darker tones by mixing burnt umber with ultramarine blue. Use white to create highlights and lighter values.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Failing to capture the correct values, which can flatten the image.
  • →Using too much detail in the background, which can diminish the sense of depth.
  • →Not capturing the reflective quality of the wet street.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (viridian green, burnt umber, cadmium red, titanium white, yellow ochre, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Using a medium-textured canvas will help to create the broken color effect. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann