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home·artworks·Paris. Mouffetard Street
Paris. Mouffetard Street by Iosif Iser

plate no. 1272

Paris. Mouffetard Street

Iosif Iser

oilImpressionismcityscapebuildingsstreetcityscapefiguresshopssky
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and practice loose, expressive brushwork to capture the atmosphere of a city street. Students will also learn how to simplify complex architectural forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and street, focusing on perspective.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and then the buildings.

  3. step 03

    Establish the darkest values in the shadows and doorways.

  4. step 04

    Begin adding details to the buildings, such as windows and architectural features, using thicker paint and visible brushstrokes.

  5. step 05

    Mix and apply colors for the awnings and signage, paying attention to the light and shadow.

  6. step 06

    Add the figures in the street with quick, gestural strokes.

  7. step 07

    Refine the details and adjust the values to create depth and atmosphere.

  8. step 08

    Add final highlights to create points of interest.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · cadmium red · yellow ochre · sap green

Mix burnt umber with ultramarine blue and white for the cool grays of the street. Use raw sienna and yellow ochre to create the warm tones of the buildings. Add small amounts of cadmium red to create the red buildings.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·gestural brushwork

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Not establishing a strong value structure, resulting in a flat painting.
  • →Using colors straight from the tube without mixing, leading to a harsh palette.
  • →Ignoring the perspective and creating distorted buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-texture canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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