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Paris by James Webb

plate no. 8999

Paris

James Webb, 1875

oilRomanticismcityscapecityscaperiverboatsbuildingsbridgesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in capturing architectural details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, bridge, and river.

  2. step 02

    Establish the sky with a light blue-gray wash, blending it softly towards the horizon.

  3. step 03

    Block in the large shapes of the buildings using a light ochre or beige, gradually adding darker tones for shadows.

  4. step 04

    Paint the river with horizontal strokes, reflecting the colors of the sky and buildings.

  5. step 05

    Add the boats, starting with their basic shapes and then adding details like masts and sails.

  6. step 06

    Define the shoreline with darker browns and greens, adding small details like rocks and vegetation.

  7. step 07

    Refine the details of the buildings, bridge, and boats, paying attention to their forms and textures.

  8. step 08

    Add final touches, such as highlights on the water and subtle details in the sky.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing white with small amounts of raw umber, yellow ochre, and blue. Use burnt sienna and raw umber for the darker tones in the buildings and shoreline.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brushing
  • ·scumbling
  • ·rendering reflections

common pitfalls

  • →Overworking the details in the buildings, losing the overall impressionistic feel.
  • →Making the colors too saturated, resulting in a less realistic and atmospheric effect.
  • →Failing to create a sense of depth through proper use of atmospheric perspective.
  • →Ignoring the subtle color variations in the water, resulting in a flat and lifeless reflection.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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