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home·artworks·Paris at Night
Paris at Night by Charles Courtney Curran

plate no. 6906

Paris at Night

Charles Courtney Curran, 1889

oilImpressionismcityscapecityscapenightrainfigurescarriagesstreetlights
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering reflections on wet surfaces. It also provides practice in using a limited palette to create a sense of depth and mood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of major elements like the carriages, figures, and streetlights.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar dark color.

  3. step 03

    Block in the sky with a mix of blues and grays, blending softly to create a sense of atmosphere.

  4. step 04

    Begin adding the darker values of the buildings and figures, paying attention to the shapes and forms.

  5. step 05

    Introduce the warm colors of the streetlights and reflections, using thicker paint and visible brushstrokes.

  6. step 06

    Develop the details of the carriages and figures, adding highlights and shadows to create depth.

  7. step 07

    Refine the reflections on the wet street, using horizontal strokes and varying the intensity of the colors.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · ivory black

Achieve the dark, muted tones by mixing burnt umber with ultramarine blue and a touch of black. The warm glow of the streetlights can be created by mixing yellow ochre with cadmium red and white.

techniques

  • ·scumbling
  • ·glazing
  • ·wet-on-wet blending
  • ·broken color
  • ·impasto

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating reflections that are too bright or too uniform.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated and not muted enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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