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home·artworks·Paolo Veronese
Paolo Veronese by Palma il Giovane

plate no. 7940

Paolo Veronese

Palma il Giovane

oilMannerism (Late Renaissance)portraitportraitmanbeardcollarchainclothing
some experience helpful

This painting offers a good opportunity to practice portraiture basics, focusing on subtle value changes to create form and capturing likeness. Students will develop skills in blending and creating a sense of depth using a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's basic proportions and placement on the canvas.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general areas of light and shadow on the face and clothing.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  4. step 04

    Develop the beard and hair, using short, directional brushstrokes to suggest texture.

  5. step 05

    Work on the collar and clothing, focusing on the subtle folds and highlights.

  6. step 06

    Add the details of the chain, using small brushes and careful observation.

  7. step 07

    Refine the overall painting, adjusting values and adding highlights to create a sense of depth and realism.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · burnt umber · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown and gray by combining raw umber, burnt umber, ivory black, and titanium white. Use yellow ochre sparingly to add warmth to the skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the subtle tonal variations.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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