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home·artworks·Panoramic Landscape
Panoramic Landscape by Robert Julian Onderdonk

plate no. 6993

Panoramic Landscape

Robert Julian Onderdonk

oilImpressionismlandscapelandscapefieldflowersskyhillstrees
some experience helpful

This painting is great for learning how to create depth using atmospheric perspective and how to suggest detail with loose brushstrokes. Students can practice color mixing to achieve subtle variations in blues and greens.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, hills, and field.

  2. step 02

    Block in the sky with light blue and white, blending softly.

  3. step 03

    Establish the distant hills with progressively darker and bluer tones, creating atmospheric perspective.

  4. step 04

    Paint the treeline with dark blues and greens, using short, broken brushstrokes.

  5. step 05

    Begin building up the field with a base layer of muted greens and blues.

  6. step 06

    Add layers of brighter blues and purples to represent the flowers, using short, directional strokes.

  7. step 07

    Introduce subtle variations in color and value to create texture and depth in the field.

  8. step 08

    Refine the details and adjust values to achieve a harmonious balance.

color palette

primary · ultramarine blue · cerulean blue · titanium white

secondary · viridian green · yellow ochre · alizarin crimson

Mix blues with white to create lighter values for the sky and distant hills. Use small amounts of green and yellow ochre to create muted greens for the field. Add a touch of alizarin crimson to darken blues and create purples.

techniques

  • ·atmospheric perspective
  • ·broken brushstrokes
  • ·color mixing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details in the field, resulting in a flat, uniform appearance.
  • →Failing to create sufficient contrast between the sky and the hills, losing the sense of depth.
  • →Using too much pure blue without mixing in other colors, resulting in a cold and unnatural look.
  • →Ignoring the subtle variations in color and value within the field, leading to a monotonous effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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