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home·artworks·Pandora
Pandora by Dante Gabriel Rossetti

plate no. 7380

Pandora

Dante Gabriel Rossetti, 1869

chalk, paperRomanticismmythological paintingfiguremythologyboxhairdressportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering soft light and shadow, and in creating a sense of depth and atmosphere using a limited color palette. Students will also practice drawing drapery and rendering the human form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the figure and the box.

  2. step 02

    Establish the darkest areas of the background and the shadows on the figure and drapery.

  3. step 03

    Gradually build up the mid-tones, blending colors to create soft transitions.

  4. step 04

    Focus on the facial features, paying close attention to the subtle variations in value and color.

  5. step 05

    Add highlights to the hair, face, and drapery to create a sense of form and dimension.

  6. step 06

    Refine the details of the box, including the latch and any decorative elements.

  7. step 07

    Soften edges and blend colors as needed to create a cohesive and atmospheric effect.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · burnt sienna · raw umber · ivory black

secondary · cadmium red light · titanium white · ultramarine blue

Achieve the skin tones by mixing burnt sienna, raw umber, and a touch of cadmium red light, lightened with titanium white. Use ultramarine blue sparingly for the eyes and to cool down the browns.

techniques

  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overworking the details and losing the soft, atmospheric effect.
  • →Creating harsh lines and edges instead of smooth transitions.
  • →Using too much white and creating a chalky appearance.
  • →Failing to capture the subtle nuances of the facial expression.

materials

surface · toned paper

required

  • ·toned paper (e.g., gray or tan)
  • ·soft pastel set
  • ·charcoal pencils (various grades)
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·ruler

optional

  • ·pastel pencils
  • ·chamois cloth
  • ·palette knife

Choose a toned paper that complements the warm color palette of the painting. Experiment with different blending techniques to achieve the desired level of softness and atmosphere.

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