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home·artworks·Palm Sunday
Palm Sunday by Elisabeth Sonrel

plate no. 9751

Palm Sunday

Elisabeth Sonrel

oilArt Nouveau (Modern)genre paintingfigureswomenbookreligiousclothingfoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabric, and creating subtle color variations within a limited palette. It also encourages careful observation of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their positions, paying attention to proportions and angles.

  2. step 02

    Block in the background with a thin wash of burnt umber and raw sienna, suggesting the patterned wallpaper.

  3. step 03

    Establish the basic skin tones for the faces and hands using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin layering the fabric of the head coverings, using white with subtle variations of gray and blue to indicate folds and shadows.

  5. step 05

    Paint the clothing, focusing on the dark blacks and browns of the older woman's attire and the reddish-brown of the younger woman's dress.

  6. step 06

    Add details to the book and foliage, using small brushes to capture the intricate patterns and textures.

  7. step 07

    Refine the facial features, paying close attention to the eyes, nose, and mouth. Use subtle highlights and shadows to create depth.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism and dimension.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create grays for shadows in the white fabric. Mix burnt umber and cadmium red for the reddish-brown clothing.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Titanium white oil paint
  • ·Burnt umber oil paint
  • ·Yellow ochre oil paint
  • ·Cadmium red oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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