apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Palermo cathedral, drawing by Leitch, engraving by J.H. Le Keux
Palermo cathedral, drawing by Leitch, engraving by J.H. Le Keux by William Leighton Leitch

plate no. 8327

Palermo cathedral, drawing by Leitch, engraving by J.H. Le Keux

William Leighton Leitch, 1840

oilRomanticismcityscapecathedralarchitecturecityscapefiguresskystreet
experienced study

Recreating this painting will help students develop skills in linear perspective, detailed architectural rendering, and creating depth through value gradations. It also provides practice in depicting figures in a believable setting.

technical profile

palette complexity
1
brushwork visibility
2
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective of the cathedral and surrounding buildings.

  2. step 02

    Focus on accurately depicting the main architectural features, such as the towers, dome, and arches.

  3. step 03

    Establish the horizon line and vanishing points to ensure proper perspective.

  4. step 04

    Start adding details to the cathedral, working from large shapes to smaller details.

  5. step 05

    Use hatching and cross-hatching to create value and depth.

  6. step 06

    Add figures to the scene, paying attention to their scale and placement.

  7. step 07

    Refine the details and values to create a sense of realism.

  8. step 08

    Add final highlights and shadows to enhance the contrast and depth.

color palette

primary · black · white

secondary · gray

Varying shades of gray are achieved by diluting black with white in different ratios.

techniques

  • ·hatching
  • ·cross-hatching
  • ·linear perspective
  • ·value gradation
  • ·rendering

common pitfalls

  • →Incorrect perspective can ruin the entire drawing.
  • →Overworking the details can make the drawing look cluttered.
  • →Inconsistent values can flatten the image.
  • →Ignoring the scale of the figures can make them look out of place.

materials

surface · Smooth drawing paper

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Ruler
  • ·Drawing paper (smooth surface)
  • ·Sharpener
  • ·Blending stump or tortillon

optional

  • ·Mechanical pencil
  • ·Kneaded eraser
  • ·T-square

Use a variety of pencil grades to achieve different values. Start with light pencil pressure and gradually build up the values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke