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home·artworks·Paisaje en Peñalara, Segovia
Paisaje en Peñalara, Segovia by Rubén de Luis

plate no. 1641

Paisaje en Peñalara, Segovia

Rubén de Luis, 2022

oilImpressionismlandscapemountainsnowhillsskylandscapefield
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex landscapes into basic shapes and values. It's a good exercise in understanding atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain, hills, and sky, paying attention to proportions.

  2. step 02

    Block in the sky with a thin layer of light blue, leaving some areas for variation.

  3. step 03

    Establish the main color masses of the mountain (snow) and hills with broad strokes.

  4. step 04

    Begin layering colors on the mountain to indicate shadows and form, using blues and purples in the snow.

  5. step 05

    Develop the hills with varied greens and browns, creating depth through color changes.

  6. step 06

    Add details to the foreground field, using short, broken strokes to suggest grasses.

  7. step 07

    Refine the transitions between the different areas, softening edges where needed.

  8. step 08

    Add final highlights and details to create a sense of light and atmosphere.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · sap green · cadmium yellow · alizarin crimson

Mix different shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Create variations in the snow by mixing titanium white with small amounts of ultramarine blue, alizarin crimson, and yellow ochre.

techniques

  • ·layering
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Failing to establish a clear value structure, leading to a flat painting.
  • →Getting bogged down in details too early, before establishing the overall composition.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#6 flat brush
  • ·#2 round brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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