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home·artworks·Paisaje desde el Cabo de San Antonio en Jávea
Paisaje desde el Cabo de San Antonio en Jávea by Rubén de Luis

plate no. 3726

Paisaje desde el Cabo de San Antonio en Jávea

Rubén de Luis, 2016

canvas, oilImpressionismmarinacliffseaskygrasslandscapevegetation
some experience helpful

This painting offers practice in layering colors to create depth and texture, and in capturing the subtle variations of light on different surfaces. Students will learn to simplify complex forms into basic shapes and use brushstrokes to suggest detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cliff, sea, and sky, paying attention to proportions.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color with thin washes.

  3. step 03

    Begin building up layers of paint on the cliff face, using a variety of brushstrokes to create texture and form.

  4. step 04

    Develop the sky and sea, blending colors to create a sense of atmosphere and distance.

  5. step 05

    Add details to the foreground, such as the grass and vegetation, using smaller brushes and more precise strokes.

  6. step 06

    Introduce highlights and shadows to enhance the sense of depth and dimension.

  7. step 07

    Refine the edges of the forms and blend colors as needed to create a cohesive composition.

  8. step 08

    Add final details like the tiny figure and small flowers.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red · viridian green

Mix white with blue for the sky and sea, varying the proportions to create different shades. Combine yellow ochre and burnt umber for the cliff, adding white to lighten and blue to darken. Mix greens from blue and yellow, adding touches of red to neutralize.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·blending
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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