apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Paisaje de San Bernardino
Paisaje de San Bernardino by Arturo Michelena

plate no. 3159

Paisaje de San Bernardino

Arturo Michelena, 1892

oilRomanticismgenre paintingfigureslandscapetreesmountainsskyfield
some experience helpful

Recreating this painting will help students practice depicting figures in a landscape and learn how to create depth using color and value. It also offers practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, the horizon line, and the mountain range.

  2. step 02

    Block in the large areas of color: sky, mountains, trees, and field.

  3. step 03

    Establish the light and shadow patterns on the figures and in the landscape.

  4. step 04

    Begin adding details to the figures, such as clothing folds and facial features.

  5. step 05

    Develop the textures of the trees and the ground with varied brushstrokes.

  6. step 06

    Refine the colors and values throughout the painting, paying attention to atmospheric perspective.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Varnish the painting once dry to protect the surface and enhance the colors.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · sap green · raw sienna

Mix various shades of green for the trees and field by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Use white to lighten colors and create highlights. Mix red and brown for the skin tones.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors straight from the tube without mixing
  • →Ignoring the effects of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic or oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags

optional

  • ·easel
  • ·viewfinder
  • ·color wheel
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke