apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Paddel-Petermannchen
Paddel-Petermannchen by Lovis Corinth

plate no. 9469

Paddel-Petermannchen

Lovis Corinth, 1902

oilImpressionismgenre paintingfigurebeachseawaterskyclothing
some experience helpful

Recreating this painting will help students develop skills in capturing light and atmosphere using broken color and loose brushwork. It also provides practice in rendering figures in a naturalistic setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the horizon line.

  2. step 02

    Block in the large areas of color: sky, sea, sand, and the figure's clothing.

  3. step 03

    Begin to develop the form of the figure, paying attention to the light and shadow.

  4. step 04

    Add details to the face and clothing, using smaller brushstrokes.

  5. step 05

    Work on the sea, using broken color to create the effect of movement and light.

  6. step 06

    Add highlights to the water and the figure's clothing.

  7. step 07

    Refine the details and adjust the values as needed.

  8. step 08

    Add final touches and signature.

color palette

primary · ultramarine blue · yellow ochre · titanium white · ivory black

secondary · burnt umber · cadmium yellow · alizarin crimson

Achieve the sea color by mixing ultramarine blue, yellow ochre, and white. Use burnt umber and black to create the darker tones in the clothing and shadows. Mix alizarin crimson with white for skin tones.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the light and atmosphere of the scene.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann