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home·artworks·Packing Cherries in Provence, France
Packing Cherries in Provence, France by Henry Herbert La Thangue

plate no. 5650

Packing Cherries in Provence, France

Henry Herbert La Thangue, 1923

oilImpressionismgenre paintingfiguresbuildingcherriestreesshadowsrural scene
some experience helpful

Recreating this painting will help students understand how to depict figures in a landscape with dappled light and shadow, as well as how to create the illusion of texture with brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the building.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the large shapes of color, starting with the background and working towards the foreground.

  4. step 04

    Develop the details of the figures, paying attention to the folds of their clothing and the anatomy of their hands.

  5. step 05

    Add the cherries, using small, deliberate brushstrokes to create the impression of a multitude of individual fruits.

  6. step 06

    Refine the details of the building, adding texture to the walls and defining the shapes of the windows and doors.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · alizarin crimson · ultramarine blue · raw umber

Mix various shades of brown and ochre for the building and ground. Use alizarin crimson and a touch of ultramarine blue for the cherries. Mix white with small amounts of other colors to create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the impressionistic style.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong light source.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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