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home·artworks·Paź florencki
Paź florencki by Aleksander Gierymski

plate no. 2136

Paź florencki

Aleksander Gierymski, 1884

oilImpressionismportraitfigureportraitclothingheadweardark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating depth through subtle value changes. It also provides practice in achieving a painterly style with visible brushstrokes and blending.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hat.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the main areas of light and shadow on the figure.

  3. step 03

    Begin layering in the local colors, starting with the yellow of the garment and the red of the hat.

  4. step 04

    Refine the facial features, paying close attention to the subtle shifts in value and color that create form.

  5. step 05

    Develop the details of the clothing and hat, using short, broken brushstrokes to create texture.

  6. step 06

    Soften edges and blend colors where necessary to create a sense of atmosphere and depth.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · yellow ochre · burnt umber · cadmium red · ivory black

secondary · raw sienna · ultramarine blue

Achieve the skin tones by mixing yellow ochre, burnt umber, and a touch of cadmium red. Use ultramarine blue to cool down the shadows. Mix black and burnt umber for the dark background.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Failing to establish a strong value structure early on.
  • →Using colors that are too saturated and not blending them sufficiently.
  • →Ignoring the subtle shifts in value and color that create form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, burnt umber, cadmium red, ivory black, raw sienna, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grit canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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