apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Pérouges, Rue Des Princes
Pérouges, Rue Des Princes by Fernand Combes

plate no. 4051

Pérouges, Rue Des Princes

Fernand Combes, 1919

watercolorImpressionismcityscapebuildingsstreetarchitecturewindowsdoorsvegetation
some experience helpful

Recreating this painting will help students develop skills in perspective drawing, color mixing for realistic textures, and layering watercolor washes to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the street, paying attention to perspective.

  2. step 02

    Apply a light wash of diluted yellow ochre to the buildings as a base layer.

  3. step 03

    Add shadows and darker tones to the buildings using a mix of burnt sienna and ultramarine blue.

  4. step 04

    Paint the sky with a diluted wash of cerulean blue, leaving some areas lighter for clouds.

  5. step 05

    Add details to the windows and doors using a fine brush and darker shades of brown and gray.

  6. step 06

    Paint the vegetation with varying shades of green, using a dry brush technique for texture.

  7. step 07

    Add details to the street and ground with a mix of browns and grays, suggesting cobblestones and dirt.

  8. step 08

    Refine the details and add highlights to complete the painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · cerulean blue · sap green · raw umber

Mix yellow ochre with burnt sienna for warm building tones. Combine ultramarine blue and burnt sienna for shadows and grays. Use cerulean blue diluted for the sky.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·perspective drawing
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much water, which can cause the colors to bleed.
  • →Not paying attention to perspective, which can make the buildings look distorted.
  • →Making the colors too saturated, which can make the painting look unnatural.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann