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home·artworks·Owain departs from Landine
Owain departs from Landine by Edward Burne-Jones

plate no. 1111

Owain departs from Landine

Edward Burne-Jones

oilRomanticismhistory paintingfigurearchitectureknighthorseforestdoorway
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to depict complex scenes with multiple focal points and intricate details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the doorway, and the knight on horseback.

  2. step 02

    Block in the large areas of color, focusing on the overall values and tones.

  3. step 03

    Start layering colors to build up the texture and depth of the walls and the figure's clothing.

  4. step 04

    Pay close attention to the details of the knight's armor and the horse's tack.

  5. step 05

    Add the details of the forest scene in the background, using a variety of greens and browns.

  6. step 06

    Refine the details of the figure's face and hands, paying attention to the light and shadow.

  7. step 07

    Add the final details, such as the flowers and the inscription above the doorway.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · viridian green · burnt umber · cadmium red

secondary · purple · gold · yellow ochre

Mix greens from viridian and burnt umber, and use thin glazes of red and purple to create depth in shadows. Use yellow ochre and gold to highlight details.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Using colors that are too bright or saturated, which can make the painting look garish.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the details of the figure's face and hands.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium-textured canvas is recommended.

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