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home·artworks·Ovid among the Scythians
Ovid among the Scythians by Eugene Delacroix

plate no. 3350

Ovid among the Scythians

Eugene Delacroix, 1859

oil, canvasRomanticismhistory paintinglandscapefiguresmountainsskyhorselake
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, figure painting, and creating a sense of depth through layering and color variation. It also offers practice in capturing movement and emotion through brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, lake, and main figure groups.

  2. step 02

    Establish the sky and distant mountains with thin washes of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the landscape, using darker values in the foreground and lighter values in the background.

  4. step 04

    Begin adding details to the figures, focusing on their poses and expressions.

  5. step 05

    Develop the textures of the landscape using varied brushstrokes, such as dry brushing for the grass and foliage.

  6. step 06

    Refine the colors and values, adding highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the details of the horse and figures in the foreground, adding final touches to their features and clothing.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · viridian green

Achieve the muted tones by mixing complementary colors. Use white to lighten values and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·figure painting
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-tooth canvas for best results. Consider using a toned ground to help establish the color palette.

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