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home·artworks·Outskirts of a Wood, with Gypsies
Outskirts of a Wood, with Gypsies by David Cox

plate no. 0740

Outskirts of a Wood, with Gypsies

David Cox, 1843

oilRomanticismlandscapetreeslandscapefiguresskyfoliagepath
some experience helpful

This painting provides practice in rendering atmospheric perspective and creating depth through layering of tones and details. Recreating it will also help students understand how to suggest detail rather than rendering every leaf or blade of grass.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figures, and horizon line.

  2. step 02

    Establish the sky with broad strokes of blue and white, blending the colors to create soft clouds.

  3. step 03

    Block in the dark masses of the trees and foliage using a mix of greens, browns, and blues.

  4. step 04

    Add the lighter values to the trees, suggesting the play of light and shadow on the leaves.

  5. step 05

    Paint the figures with simple shapes and colors, paying attention to their relative scale.

  6. step 06

    Develop the foreground with details of the path, grass, and water, using a variety of brushstrokes.

  7. step 07

    Refine the details of the trees and foliage, adding texture and variation to the leaves and branches.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Achieve the greens by mixing yellow ochre and ultramarine blue, adjust the intensity with white or burnt umber. Use alizarin crimson and burnt umber to create rich dark browns. Mix ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the colors too saturated and unnatural.
  • →Failing to create a strong sense of depth.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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