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home·artworks·Our English Coasts
Our English Coasts by William Holman Hunt

plate no. 1109

Our English Coasts

William Holman Hunt, 1852

oilRomanticismlandscapesheepclifflandscapeoceanvegetationflowers
experienced study

Recreating this painting will help students develop skills in rendering complex textures like wool and foliage, as well as understanding atmospheric perspective in a detailed landscape. It also provides practice in depicting animal anatomy and behavior within a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the cliff, horizon line, and the overall arrangement of the sheep.

  2. step 02

    Block in the large areas of color: the sky, sea, cliff face, and the general area where the sheep are located.

  3. step 03

    Begin defining the shapes of the sheep, paying attention to their individual poses and the way they overlap.

  4. step 04

    Add details to the cliff face, including the rocks, vegetation, and shadows.

  5. step 05

    Develop the textures of the sheep's wool using short, broken brushstrokes and varying shades of white, cream, and gray.

  6. step 06

    Paint the foreground vegetation and flowers, adding details to the leaves and petals.

  7. step 07

    Refine the details of the sheep's faces and bodies, adding highlights and shadows to create depth.

  8. step 08

    Add final touches and adjustments to the overall composition, ensuring that the colors and values are balanced.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · sap green · raw sienna

Mix various shades of white with small amounts of yellow ochre, burnt umber, and ultramarine blue to create the subtle variations in the sheep's wool. Use a combination of greens and browns to create the foliage on the cliff face.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Oversimplifying the textures of the wool and foliage.
  • →Losing the sense of depth and atmosphere in the landscape.
  • →Failing to capture the individual characteristics of the sheep.
  • →Getting bogged down in details too early in the painting process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. A medium can be used to thin the paint and speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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