apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Orthodox Monastery in Latvia
Orthodox Monastery in Latvia by Vilhelms Purvitis

plate no. 9010

Orthodox Monastery in Latvia

Vilhelms Purvitis

oilImpressionismlandscapelandscapechurchsnowrivertreesbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color temperature to create depth and mood. It also provides practice in rendering architectural forms with simplified details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, the church, and the river.

  2. step 02

    Block in the large areas of color: sky, river, land, and buildings.

  3. step 03

    Establish the dark and light values, paying attention to the shadows and highlights on the church and the snow.

  4. step 04

    Refine the shapes of the buildings and add details to the architecture.

  5. step 05

    Add the trees and other vegetation, using broken brushstrokes to create texture.

  6. step 06

    Mix and apply the colors for the snow, capturing the subtle variations in tone and temperature.

  7. step 07

    Adjust the overall color balance and add any final details.

  8. step 08

    Glaze the painting with a thin layer of medium to unify the colors and add depth.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium yellow · alizarin crimson

Mix various shades of blue and brown for the river and land. Use white to lighten the colors and create highlights. Add small amounts of red or yellow to adjust the color temperature.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details of the architecture.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Use high-quality oil paints for best results.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann