
plate no. 1822
Konstantin Makovsky, 1870
This painting offers a good opportunity to practice alla prima painting and capturing light and shadow with visible brushstrokes. Students can learn to simplify complex forms and create texture with paint.
technical profile
approach — 8 steps
Lightly sketch the main shapes of the figure and the architectural elements.
Establish the overall color scheme with a thin wash of diluted paint.
Block in the main areas of color, focusing on the light and shadow patterns.
Start building up thicker layers of paint, using visible brushstrokes to create texture.
Refine the details of the face and clothing, paying attention to the folds and wrinkles.
Add highlights and shadows to create depth and dimension.
Adjust the colors and values as needed to achieve a harmonious composition.
Add final details and refine edges.
color palette
primary · ultramarine blue · raw umber · titanium white · cadmium red
secondary · yellow ochre · viridian green · burnt sienna
Mix various shades of blue and green for the clothing. Use raw umber and white for the wall, adding touches of other colors for variation. Mix red and white for the turban and sash.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.
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