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home·artworks·Orel
Orel by Periklis Vyzantios

plate no. 1257

Orel

Periklis Vyzantios, 1914

oilImpressionismportraitportraitfigureprofilehairfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, specifically capturing likeness and form using subtle value changes. It also provides practice in creating a sense of depth and atmosphere with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic outline of the head and shoulders, paying attention to proportions and angles.

  2. step 02

    Establish the background by blocking in the dark tones with a large brush.

  3. step 03

    Begin blocking in the main areas of light and shadow on the face and neck using a mid-tone mixture.

  4. step 04

    Refine the shapes and values of the facial features, focusing on the subtle transitions between light and shadow.

  5. step 05

    Add details to the hair, using short, broken brushstrokes to suggest texture and form.

  6. step 06

    Adjust the values and edges throughout the painting to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights to the face and hair to create focal points.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · cadmium red light · ivory black

Mix various shades of brown and flesh tones by combining burnt umber, yellow ochre, and titanium white. Add a touch of cadmium red for warmth in the cheeks and lips. Use ivory black to darken the shadows.

techniques

  • ·value study
  • ·chiaroscuro
  • ·blending
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless appearance.
  • →Failing to accurately capture the proportions and angles of the face.
  • →Ignoring the subtle value changes that create form and depth.
  • →Using too much detail, which can distract from the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·odorless mineral spirits

Use a canvas with a smooth surface to facilitate blending. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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