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home·artworks·Orchid and Hummingbird near a Mountain Waterfall
Orchid and Hummingbird near a Mountain Waterfall by Martin Johnson Heade

plate no. 9912

Orchid and Hummingbird near a Mountain Waterfall

Martin Johnson Heade, 1902

oilRomanticismanimal paintingorchidhummingbirdwaterfallmountainsfoliagesky
some experience helpful

Recreating this painting will help students develop skills in blending subtle color variations to create atmospheric perspective and rendering detailed botanical forms with soft edges.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the orchid, hummingbird, and mountains.

  2. step 02

    Establish the background sky and distant mountains with thin washes of color.

  3. step 03

    Block in the general shapes and values of the foliage, waterfall, and foreground elements.

  4. step 04

    Begin layering colors in the foliage to create depth and texture, using a variety of greens and browns.

  5. step 05

    Paint the orchid, paying close attention to the subtle color variations and delicate edges of the petals.

  6. step 06

    Add the hummingbird, focusing on its small size and intricate details.

  7. step 07

    Refine the details of the waterfall and other elements, adding highlights and shadows.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · sap green · alizarin crimson · ultramarine blue

secondary · yellow ochre · burnt umber · cadmium red · viridian

Achieve the muted greens by mixing sap green with burnt umber and yellow ochre. Create the orchid's pink hues by blending alizarin crimson with titanium white, adding touches of cadmium red for warmth.

techniques

  • ·glazing
  • ·dry brushing
  • ·soft blending
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details in the foliage, resulting in a flat and lifeless appearance.
  • →Using colors that are too saturated, creating an unrealistic and jarring effect.
  • →Failing to establish a clear sense of depth and perspective.
  • →Neglecting the subtle color variations in the orchid petals.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a pre-toned canvas to simplify the initial stages of the painting process.

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oil painting for beginners →how to learn by studying the masters →
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