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Ophelia by Thomas Francis Dicksee

plate no. 1312

Ophelia

Thomas Francis Dicksee, 1873

canvas, oilRomanticismportraitfigureforestwatertreesportraitfoliage
experienced study

Recreating this painting will develop skills in portraiture, including capturing likeness and rendering fabric folds, as well as creating atmospheric perspective in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the major elements of the background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin blocking in the main colors, starting with the background and then moving to the figure.

  4. step 04

    Develop the details of the face, paying close attention to the light and shadow to create form.

  5. step 05

    Refine the folds and drapery of the clothing, using subtle color variations to create depth.

  6. step 06

    Add details to the surrounding foliage and water, using a variety of brushstrokes to create texture.

  7. step 07

    Glaze thin layers of color to adjust values and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the subtle flesh tones by mixing titanium white, raw umber, and a touch of alizarin crimson. Create the muted greens of the foliage by mixing viridian with raw umber and a touch of yellow.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a pre-toned canvas to simplify the initial stages of the painting.

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