apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Open Door, Brittany
Open Door, Brittany by Henri Matisse

plate no. 1416

Open Door, Brittany

Henri Matisse, 1896

oilImpressionisminteriordoorinteriorwalllandscapefieldsky
some experience helpful

Recreating this painting will help students practice color mixing to achieve subtle variations and learn to suggest form with visible brushstrokes. It's a good exercise in simplifying a scene to its essential elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the door, walls, and landscape seen through the opening.

  2. step 02

    Block in the large areas of color: the yellow-brown of the interior wall, the blue-grey of the exterior wall, and the colors of the landscape.

  3. step 03

    Start defining the door frame with white, paying attention to the light and shadow.

  4. step 04

    Add details to the landscape, suggesting the field and sky with horizontal brushstrokes.

  5. step 05

    Refine the colors and values in the interior, adding depth and dimension.

  6. step 06

    Use short, visible brushstrokes to create texture and interest throughout the painting.

  7. step 07

    Add the dark lines defining the edges of the door and walls.

  8. step 08

    Check the overall balance of the painting and make any necessary adjustments.

color palette

primary · yellow ochre · titanium white · cerulean blue

secondary · burnt umber · sap green

Mix white with small amounts of yellow ochre and burnt umber to create the various shades of the interior walls. Use cerulean blue and white for the exterior wall, adding a touch of yellow ochre for warmth. Mix sap green and yellow ochre for the field.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color temperature

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the colors too uniform and lacking variation.
  • →Failing to capture the subtle light and shadow.
  • →Getting the perspective of the door and walls incorrect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre
  • ·titanium white
  • ·cerulean blue
  • ·burnt umber
  • ·sap green
  • ·assorted brushes

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for visible brushstrokes. Oil paints will provide richer colors and blending capabilities, but acrylics are a good option for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann