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home·artworks·One of the Family
One of the Family by Frederick George Cotman

plate no. 7085

One of the Family

Frederick George Cotman, 1880

oil, canvasRomanticismgenre paintingfamilyinteriortablefoodhorsewindow
experienced study

This painting helps develop skills in depicting complex scenes with multiple figures and objects, as well as mastering the use of light and shadow to create depth and realism. Students will learn to mix subtle color variations to capture the nuances of skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and key objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color masses for the background, figures, and still life elements.

  4. step 04

    Develop the light and shadow areas, paying attention to the direction and intensity of the light source.

  5. step 05

    Refine the details of the figures, including facial features, clothing, and hands.

  6. step 06

    Add details to the still life elements, such as the food, dishes, and utensils.

  7. step 07

    Paint the details of the windows and the horse.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · raw sienna · ivory black

Mix various shades of brown and ochre for the interior and skin tones. Use white to create highlights and blue to create shadows. Mix red and yellow for the warm tones in the faces and food.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the skin tones.
  • →Getting lost in the complexity of the scene and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red, raw sienna, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

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