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home·artworks·On the Way to School in Edam
On the Way to School in Edam by Max Liebermann

plate no. 0683

On the Way to School in Edam

Max Liebermann, 1904

oil, canvasImpressionismgenre paintingfiguresstreetbuildingstreeschildrenlight
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with loose brushstrokes and simplifying complex scenes into essential forms. It also provides practice in painting figures in motion and creating atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the figures and buildings.

  2. step 02

    Block in the large areas of color, starting with the background and working your way forward.

  3. step 03

    Establish the light and shadow patterns, paying attention to the direction of the light source.

  4. step 04

    Add details to the figures and buildings, using loose brushstrokes to suggest form and texture.

  5. step 05

    Refine the colors and values, making sure to maintain the overall harmony of the painting.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the edges of the shapes, softening some and sharpening others to create visual interest.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · cadmium red · ultramarine blue

Mix white with yellow ochre and a touch of burnt umber to create the warm tones of the street and buildings. Use ultramarine blue and burnt umber to create the darker shadows and foliage.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·atmospheric perspective
  • ·implied detail

common pitfalls

  • →Overworking the details
  • →Using too much detail in the background
  • →Creating muddy colors
  • →Ignoring the light and shadow patterns

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, 6
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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