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home·artworks·On the wallaby track
On the wallaby track by Frederick McCubbin

plate no. 3519

On the wallaby track

Frederick McCubbin, 1896

oil, canvasImpressionismgenre paintingfigureslandscapetreescampmotherchild
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape setting and capturing atmospheric perspective through subtle color variations. It also provides practice in depicting textures using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the main elements of the landscape.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color masses, starting with the darkest areas and gradually working towards the lighter tones.

  4. step 04

    Develop the details of the figures, focusing on accurate proportions and subtle modeling of light and shadow.

  5. step 05

    Add texture to the landscape using a variety of brushstrokes, including dry brushing and scumbling.

  6. step 06

    Refine the atmospheric perspective by softening edges and reducing contrast in the background.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall mood.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red light · sap green

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create the skin tones by blending titanium white, cadmium red light, and a small amount of yellow ochre.

techniques

  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider toning the canvas with a thin wash of burnt umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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