apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·On the Volga
On the Volga by Boris Kustodiev

plate no. 5058

On the Volga

Boris Kustodiev, 1910

oilArt Nouveau (Modern)cityscapecityscaperiverbuildingsfiguresboatssky
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many elements, and in capturing atmospheric perspective through color and value variations. It also offers practice in rendering figures in motion and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the horizon line, the river, the buildings on the hill, and the foreground figures.

  2. step 02

    Establish the basic color blocks for the sky, water, and land, using thin washes of color.

  3. step 03

    Begin adding details to the buildings and trees, focusing on their shapes and relative sizes.

  4. step 04

    Block in the colors for the figures and boats, paying attention to their placement and proportions.

  5. step 05

    Develop the foreground details, including the market stalls, figures, and textures of the ground.

  6. step 06

    Refine the colors and values throughout the painting, adding highlights and shadows to create depth and dimension.

  7. step 07

    Add final details, such as the architectural details of the buildings and the patterns on the figures' clothing.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · yellow ochre · cerulean blue · cadmium red · titanium white

secondary · viridian green · burnt umber · ultramarine blue

Mix greens by blending yellow ochre and cerulean blue, and create muted tones by adding burnt umber to the primary colors. Use white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a clear sense of depth.
  • →Overworking the colors and losing the freshness of the original.
  • →Incorrect proportions of figures and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois