apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·On the Verandah (Ironbound Island, Maine)
On the Verandah (Ironbound Island, Maine) by John Singer Sargent

plate no. 4125

On the Verandah (Ironbound Island, Maine)

John Singer Sargent, 1922

pencil, watercolor, paperImpressionismgenre paintingfiguresporchcolumnsgardenchairsarchitecture
some experience helpful

Recreating this painting will help students develop skills in watercolor washes, capturing light and shadow, and depicting figures in a relaxed setting. It also provides practice in creating depth and atmosphere using color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and perspective.

  2. step 02

    Apply a light wash of diluted yellow ochre or raw sienna to the entire paper to create a warm undertone.

  3. step 03

    Begin with the sky and background, using diluted blues and greens for the foliage and sky, working wet-on-wet to blend colors.

  4. step 04

    Paint the columns with a light grey wash, adding shadows to define their form.

  5. step 05

    Block in the figures with light washes of color, gradually building up the tones and details.

  6. step 06

    Add details to the clothing, faces, and hands, using smaller brushes and more concentrated colors.

  7. step 07

    Paint the porch floor with a mix of reds and browns, varying the intensity to create depth.

  8. step 08

    Add final details such as the knitting, facial features, and shadows to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna

secondary · sap green · alizarin crimson · raw umber

Mix blues and yellows for various greens; use burnt sienna and ultramarine blue for grays and browns. Dilute colors extensively for washes and build up intensity gradually.

techniques

  • ·wet-on-wet blending
  • ·watercolor washes
  • ·dry brush texture
  • ·layering
  • ·lifting

common pitfalls

  • →Overworking the painting and losing the freshness of the watercolor.
  • →Using colors that are too saturated or intense.
  • →Not allowing each layer to dry completely before adding the next.
  • →Incorrect proportions of the figures.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints
  • ·Round brushes (sizes 2, 6, 10)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Masking tape

optional

  • ·Palette knife
  • ·Masking fluid
  • ·Spray bottle

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to draw →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann