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home·artworks·On the Terrace at Sèvres
On the Terrace at Sèvres by Marie Bracquemond

plate no. 2024

On the Terrace at Sèvres

Marie Bracquemond, 1880

oil, canvasImpressionismgenre paintingfiguresgardentreesclothinghatsportrait
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with broken color, and in rendering figures with loose, expressive brushstrokes. It also provides practice in creating a sense of depth and atmosphere through color and value variations.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their placement on the canvas.

  2. step 02

    Block in the background with broad strokes of green and yellow, creating a sense of light filtering through trees.

  3. step 03

    Establish the basic skin tones and clothing colors for each figure, focusing on the light and shadow patterns.

  4. step 04

    Develop the details of the faces, paying attention to the subtle variations in color and value.

  5. step 05

    Add details to the clothing, such as the folds and textures of the fabric.

  6. step 06

    Refine the background, adding more detail to the trees and foliage.

  7. step 07

    Add final highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · yellow ochre · viridian green · titanium white · burnt umber

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix greens by combining yellow ochre and viridian green. Achieve skin tones by blending white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue to darken shadows and create depth.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·color layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle variations in light and shadow.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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