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home·artworks·On the Seashore
On the Seashore by Kimon Loghi

plate no. 4331

On the Seashore

Kimon Loghi

oilImpressionismmarinafigureseaskylandscapeflowerswall
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice loose, expressive brushwork to capture the impressionistic style. It also provides practice in rendering figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: figure, wall, sea, and sky.

  2. step 02

    Block in the large areas of color, starting with the sky and sea.

  3. step 03

    Establish the basic values and colors of the figure, focusing on the light and shadow.

  4. step 04

    Add details to the wall and surrounding foliage, using broken brushstrokes.

  5. step 05

    Refine the colors and values in the sky and sea, creating depth and atmosphere.

  6. step 06

    Add details to the figure's clothing and features, paying attention to the light and shadow.

  7. step 07

    Paint the flowers and pot, adding pops of color.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · titanium white · burnt sienna · cadmium red

secondary · yellow ochre · sap green · raw umber

Mix blues and whites for the sky and sea, varying the proportions for different shades. Use burnt sienna and cadmium red for the figure's clothing, adjusting with white for highlights. Mix greens and yellows for the foliage.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Using colors straight from the tube without mixing
  • →Ignoring the overall composition and focusing too much on individual elements
  • →Not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·#6 round brush
  • ·#4 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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