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home·artworks·On the Last Tramp
On the Last Tramp by Jane Sutherland

plate no. 5623

On the Last Tramp

Jane Sutherland, 1888

oilImpressionismlandscapelandscapefigureskyhillstreesroad
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex scenes into basic shapes and values. It also provides practice in mixing subtle color variations and capturing the effects of light on different surfaces.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the figure and hills.

  2. step 02

    Block in the sky with a light blue-gray wash, allowing for subtle variations in tone.

  3. step 03

    Establish the main shapes of the hills and road with broad strokes of color, paying attention to the overall value structure.

  4. step 04

    Add details to the figure, using darker values to create form and definition.

  5. step 05

    Develop the texture of the road and hills with broken brushstrokes and subtle color variations.

  6. step 06

    Paint the trees and other vegetation, using a variety of greens and browns to create depth and interest.

  7. step 07

    Refine the details and adjust the values as needed to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · titanium white · ultramarine blue · burnt sienna

secondary · yellow ochre · raw umber · alizarin crimson

Mix various shades of gray by combining white, blue, and a touch of burnt sienna. Achieve the earthy tones of the road and hills by mixing burnt sienna, raw umber, and yellow ochre. Use alizarin crimson sparingly to add warmth to the shadows.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·value studies

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating too much contrast and flattening the image.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·alizarin crimson oil paint

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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