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home·artworks·On the Lakeshore
On the Lakeshore by Kimon Loghi

plate no. 0758

On the Lakeshore

Kimon Loghi

oilImpressionismlandscapetreeslandscapelakefoliagepathsky
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and layering colors to create depth and texture. It also provides practice in capturing the impressionistic style of loose brushstrokes and color mixing.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path, trees, and horizon line.

  2. step 02

    Block in the sky and lake with thin washes of blue and green.

  3. step 03

    Establish the main masses of foliage using a mix of greens, yellows, and browns.

  4. step 04

    Apply thicker paint with visible brushstrokes to create texture in the trees and foreground.

  5. step 05

    Layer different colors on top of each other to create depth and variation in the foliage.

  6. step 06

    Add highlights to the leaves and branches to create a sense of light.

  7. step 07

    Refine the details of the path and foreground, paying attention to the texture and color variations.

  8. step 08

    Add final touches and adjust the overall balance of the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · sap green · cadmium yellow · raw umber

Mix greens by combining blues and yellows. Achieve muted tones by adding small amounts of complementary colors (e.g., orange to blue). Use white to lighten colors and create highlights.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·layering

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Failing to create enough texture in the foliage and foreground.
  • →Ignoring the subtle color variations in the sky and lake.
  • →Making the composition too symmetrical or static.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grit canvas to enhance the texture of the painting. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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