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home·artworks·On the island of Capri. Coastal cliffs.
On the island of Capri. Coastal cliffs. by Lev Lagorio

plate no. 7924

On the island of Capri. Coastal cliffs.

Lev Lagorio, 1859

oilRomanticismlandscapeseacliffsrocksskyvegetationboat
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for water and rock textures, and rendering complex geological formations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the cliffs, horizon line, and rock formations.

  2. step 02

    Establish the sky with a gradient from light yellow to pale blue.

  3. step 03

    Block in the large shapes of the cliffs and mountains with mid-tone grays and greens.

  4. step 04

    Begin layering colors on the cliffs, adding highlights and shadows to define the rock textures.

  5. step 05

    Paint the water with varying shades of blue and green, creating depth and reflections.

  6. step 06

    Add details to the foreground rocks, paying attention to their shapes and shadows.

  7. step 07

    Paint the small boat and figures, keeping them simple and in proportion.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere and depth.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · viridian green · cadmium yellow · raw sienna

Mix blues and greens with white to create the various shades of the sea. Use burnt umber and yellow ochre mixed with white for the rocks. Add small amounts of blue or green to the rock mixture to create the atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·color layering
  • ·scumbling

common pitfalls

  • →Overworking the details in the rocks, resulting in a cluttered appearance.
  • →Not creating enough contrast between the highlights and shadows, leading to a flat image.
  • →Using too much green in the water, making it look unnatural.
  • →Ignoring the atmospheric perspective, causing the background to appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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