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home·artworks·On the Coast of Picardy
On the Coast of Picardy by Richard Parkes Bonington

plate no. 5106

On the Coast of Picardy

Richard Parkes Bonington, 1826

oil, canvasRomanticismlandscapebeachcloudsshipfigureshorsescoastline
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork to capture the mood of a coastal scene. Students will also learn how to mix subtle color variations to create depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, the position of the ship, the coastline, and the figures/horses.

  2. step 02

    Block in the sky using broad strokes of diluted paint, focusing on capturing the overall value and color variations of the clouds.

  3. step 03

    Establish the basic colors of the coastline and the beach, paying attention to the subtle shifts in tone and hue.

  4. step 04

    Paint in the ship, focusing on its silhouette and the reflections in the water.

  5. step 05

    Add the figures and horses, using simplified shapes and colors to suggest their presence.

  6. step 06

    Refine the details of the clouds, adding highlights and shadows to create depth and dimension.

  7. step 07

    Add texture to the beach and coastline using dry brush techniques.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Mix muted greens for the distant coastline by combining yellow ochre, raw umber, and a touch of ultramarine blue. Achieve the atmospheric haze by diluting colors with a medium and layering them thinly.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·scumbling
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details, which can detract from the overall impressionistic effect.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Neglecting the importance of value contrast, which can flatten the image.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, raw umber, ultramarine blue, yellow ochre, burnt sienna, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Pre-toned canvas with a light wash of raw umber can help to unify the painting.

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oil painting for beginners →how to learn by studying the masters →
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